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by cadeu

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WAH 02:10


Language as an artistic tool has been widely explored in conceptual and particularly in sound art for more than a century: from the phonetic poems of Dada, to Stockhausen’s experiments with text and voice, to contemporary electro-acoustic works in this day and age.

Relations between languages and their sonic characteristics was the main focus of my Master’s degree and the result of a three-year-research and experimentation. Why do languages sounds just like they do? What does constitute a linguistic soundscape? In 2021’s ambient mix UI I examined several languages in a deconstructed mode. The words were torn apart into particles that are deliberately devoid of any meaning, but still retaining the character of a language. Conceptually the approach was based on the idea of l’objet sonore introduced by P. Schaeffer, by means of which he regarded sounds as independent acoustic events, detached from their sources, deprived of the original meaning and intended for listening, charged with acousmatic experience.

cadeu said:
LANGUAGE EP and the forthcoming album EX became my playground to explore this idea in the realm of club music. Throughout the record, language is interchangeably revealed in both deconstructed and habitual ways, letting the meaning in and leaving it out, attempting to spell a message and suddenly losing it only to become another instrument in a track.


released August 5, 2022

Mastering by A.Fruit
Concept/design by Ilya Perevedentsev


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Hyperboloid Music Riga, Latvia

Hyperboloid Music,SIA (40203338576)
26a, Ganibu dambis, LV-1005

We release blender-full, forward-thinking and phuture-yet-present music from all over the world, in flavors of current mutations of electronic club music, both deconstructed and newly found inverted and transcended music genres, generally arranged under bass and experimental sections in music stores ... more

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