Core
by Raumskaya
maxvoyage
Michael Wickster
toe2f
mnohoslav
tgammons
Modestas
DJ GROUP HUG ⛓️ ⛓️ ⛓️
michael parkinson
☻
Jack FM
dirtyacidbeats
sim0n.
mikalaaloha
p0p0mann
erik s
Janis Freimanis
rinuinu
Mazi Melton
and exx pee
John Doree
Corbin Souffrant
Seanni B
bboneslingerr
colin farrell
Hugh Crummond
maeultra
scosol
Toaster
🔲🔲🔲🔲🔲🔲🔲🔲🔲🔲🔲🔲🔲
Kuàn Lee Sergio
窓
clemence_grumble
X ! l i X
Rinkan
Sassparilla
tentika
PAYNOMINDTOUS
euNoia
Raphael
Alexis Eks
Jon White
darwin_sherman
Chris Jones
Deadcrow
peoplecanfly
NAXUL
Justin Huelsenkamp
セバスチャン大倉a.k.a.DJ享受
Unkn0_0ne x LCL STREAM
Dylan
andykisaragi
ZLOTO
Ookol pixan
nohighs
lt.gunga
Extralife
cyborganysm
Dj Daftun
Reebok $alesmen
Вадим Николаев
Zach
djip
Ian McNamee
snowowl78
Lars Björkeström
DJ Funest
citrafan
ABCD
TAKAFUMI TSUJI
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Digital Album
Streaming + DownloadIncludes high-quality download in MP3, FLAC and more. Paying supporters also get unlimited streaming via the free Bandcamp app.Purchasable with gift card -
Raumskaya - Core (limited cassette)
Cassette + Digital AlbumRaumskaya album on a white limited cassette + stickers
Includes unlimited streaming of Core via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.Sold Out
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1. |
Large As Hundreds
04:37
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2. |
Dead Air
04:06
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3. |
Back To Nothing
03:40
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4. |
Supermassive
04:33
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5. |
Ice And Stones
05:24
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6. |
No Heroes
05:08
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7. |
2191
03:12
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8. |
Woman 2.0
05:12
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9. |
Neutron Stars
04:27
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10. |
Trance Music
03:19
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about
Having released his soundtrack to ‘Sea,’ a contemporary dance production coming to Moscow, earlier this year on Terminal Dream, Raumskaya now returns to present his debut album on the prolific Hyperboloid imprint. Core sees Raumskaya move away from the frenetic footwork sounds that he and his St. Petersburg collective ‘Beryoza’ first rose to prominence with, replacing it with an eclectic spread of reference points ranging from vintage hardcore to cutting-edge sounds such as wave music.
This LP clearly demonstrates Raumskaya’s unique style, switching up different sounds and masterfully blending them into a cohesive atmosphere. Serene futurist synth tones rub up next to broken beats and distorted vocal samples in a way that still manages to be highly congruent. Core opens with ‘Large as Hundreds,’ a dynamic track which ebbs and flows in intensity in a way reminiscent to an Aphex Twin ambient track. As if the listener is lulled into a false sense of security by this calm opening, in stark contrast ‘Dead Air’ is a nightmareish hard house affair crammed full of distorted string samples, driving kick drums and a restless synth melody. Despite their differences, these two tracks, as well as the remaining eight, share Raumskaya’s cinematic, larger-than-life approach to production.
Elsewhere on Core we’re treated to a few songs which definitely nod to garage music, albeit Raumskaya gives a truly unique spin on them. ‘2191’ incorporates brooding sci-fi synth sounds and ethereal pitched up vocal snippets over an ever-changing 2-step beat, which is often completely dropped from parts of the song. ‘Supermassive’ similarly plays with the typical garage form by including a middle section that forgoes the skippy UKG beat introduced at the beginning, replacing it with a heavy 4x4 kick drum. This playing with form and genre creates a dialectical sound that’s both familiar to us but at the same time completely unique to this artist. It’s obvious from this melting pot of references that this is a release that could only have been made in the age of the internet.
Raumskaya rounds of his release with ‘Trance Music,’ an emotive storm of tri-wave synths and stuttering trap high-hats we’ve come to expect from the emerging group of artists now making wave music. This closing song’s poignant melody is almost melancholic in the reaction it evokes. If ‘Daymé,’ recorded for Gilles Petersen’s Brownswood recordings, was described by Raumskaya as a ‘soundtrack for life filled with emotions and kindness,’ then potentially Core can be seen as a musical allegory for the turbulent times we now live in, filled with moments of extreme optimism and complete doom.
This LP clearly demonstrates Raumskaya’s unique style, switching up different sounds and masterfully blending them into a cohesive atmosphere. Serene futurist synth tones rub up next to broken beats and distorted vocal samples in a way that still manages to be highly congruent. Core opens with ‘Large as Hundreds,’ a dynamic track which ebbs and flows in intensity in a way reminiscent to an Aphex Twin ambient track. As if the listener is lulled into a false sense of security by this calm opening, in stark contrast ‘Dead Air’ is a nightmareish hard house affair crammed full of distorted string samples, driving kick drums and a restless synth melody. Despite their differences, these two tracks, as well as the remaining eight, share Raumskaya’s cinematic, larger-than-life approach to production.
Elsewhere on Core we’re treated to a few songs which definitely nod to garage music, albeit Raumskaya gives a truly unique spin on them. ‘2191’ incorporates brooding sci-fi synth sounds and ethereal pitched up vocal snippets over an ever-changing 2-step beat, which is often completely dropped from parts of the song. ‘Supermassive’ similarly plays with the typical garage form by including a middle section that forgoes the skippy UKG beat introduced at the beginning, replacing it with a heavy 4x4 kick drum. This playing with form and genre creates a dialectical sound that’s both familiar to us but at the same time completely unique to this artist. It’s obvious from this melting pot of references that this is a release that could only have been made in the age of the internet.
Raumskaya rounds of his release with ‘Trance Music,’ an emotive storm of tri-wave synths and stuttering trap high-hats we’ve come to expect from the emerging group of artists now making wave music. This closing song’s poignant melody is almost melancholic in the reaction it evokes. If ‘Daymé,’ recorded for Gilles Petersen’s Brownswood recordings, was described by Raumskaya as a ‘soundtrack for life filled with emotions and kindness,’ then potentially Core can be seen as a musical allegory for the turbulent times we now live in, filled with moments of extreme optimism and complete doom.
credits
released May 15, 2017
abel: Hyperboloid
Catalogue #: HYPR048
Release Date: 15/05/2017
Genre: Experimental / Club
Mastering: A.Fruit
abel: Hyperboloid
Catalogue #: HYPR048
Release Date: 15/05/2017
Genre: Experimental / Club
Mastering: A.Fruit
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all rights reserved
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about
Hyperboloid Music Riga, Latvia
Hyperboloid Music,SIA (40203338576)
26a, Ganibu dambis, LV-1005
We release
blender-full, forward-thinking and phuture-yet-present music from all over the world, in flavors of current mutations of electronic club music, both deconstructed and newly found inverted and transcended music genres, generally arranged under bass and experimental sections in music stores
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